A preoccupation with surface qualities and materials in Coilín Murray’s work is underpinned by a solid core of intellectual rigour, writes Gerry Walker
Art graduate exhibitions are similar to the theatre; the players are expected to hit their marks and know their lines, writes Gerry Walker in his appraisal of the class of 2017
The strong decorative element within Kathleen Holohan’s paintings reflects a sympathetic celebration of the ordinary, Gerry Walker
John Kelly’s enrollment in school in the 1950’s marked the beginning of a fully realized career in the arts; Gerry Walker remembers the noted artist and printmaker
Art picks up where nature ends, writes Gerry Walker of Dermot McNevin’s new paintings
Gerry Walker welcomes an alternative to the conventions of gallery management in the work of Olivier Cornet
Behind the bustle and colour of the 2016 graduate shows Gerry Walker finds a wealth of well-researched, accomplished projects.
