Brendan Rooney evaluates George Collie’s genre scene, a gritty exception to the mainstay of the artist’s practice
Simone Mancini and Adrian Le Harivel select a painting from the Care of the Collection display at the National Gallery of Ireland
Hilary Pyle remembers James Stephens, a writer of stature, whose account of the Easter Rising while Registrar at the National Gallery comes into focus in the current display at the Gallery
Resplendent in its latest reconstruction, the National Gallery of Ireland needs a new and inspiring ‘Mission’ that places Irish art and artists at the centre of its activities, argues John Mulcahy
Carla Briggs considers the most potent chapter in Margaret Clarke’s career and the aspirations that fuelled her creativity
