Painting - Irish Arts Review

THE JOURNAL OF FINE ART, DESIGN, ARCHITECTURE, PHOTOGRAPHY, SCULPTURE, HERITAGE, DECORATIVE ARTS AND CRAFTS

Painting

‘A Clear Compositional Link’: Francis Bacon’s Works on Paper

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Elegant Travellers from Fermanagh

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Readers’ Comments

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Lady Butler’s Irish Pictures

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Continental Influence in 18th Century Ireland

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Irish Landscapists in Rome 1750-1780

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Interview with Patrick Graham

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Sailing to Byzantium: The Portraits of Edward McGuire

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Sampson Towgood Roch, Miniaturist

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The Artistic Development of Felim Egan

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The Catalogue of Dutch Paintings in the N.G.I.

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Divisions, Crossroads, Turns of Mind: Some New Irish Art

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Jour de Marché, Finistère

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Paintings of the ‘Irish Renascence’

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Cecily Brennan

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There Is No Night

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Patrick Scott: Recent Work

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Roderic O’Conor: The Elusive Personality

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From Alice Springs to Kanganaman

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Figurative Image

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Tiepolo’s St. Patrick Altarpiece

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James Hore, Gentleman View-Painter

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About to Write a Letter

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Figurative Image

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Louis le Brocquy: The New Work

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The Unmistakeable Hand of Frederick Buck

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Andrew Nicholl

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The Ingenious Mr. Francis Place

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An Elizabethan Political Painting

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Wheatley’s Lord and Lady Antrim

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Book Review: The Collage Handbook

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North East Antrim: A Painter’s Coastline

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Book Review: Tony O’Malley: Painter in Exile

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Book Review: The Wild Garden: Paintings and Drawings from a Garden and a Mountain Field in Ireland

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Book Review: The Forger’s Art

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Book Review: Harry Clarke: His Graphic Art

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Book Review: Contemporary Irish Art

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William Crozier

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The White City: Sir John Lavery in Tangier

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Intrusions and Representations: The Landscape of Wicklow

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French Influence in Late Seventeenth Century Portraits

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Fashion as a Guide to Dating Irish Portraits 1660-1880

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Irish History Painting

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Daniel O’ Neill (1920-1974): Landscape and Figure Painter

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History, Politics and Decorative Painting: James Ward’s Murals in Dublin City Hall

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Allegory, Portrait, or Genre? ‘Mary and Brigid’ by Margaret Clarke

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‘Taste, Elegance and Execution’: John Lewis as a Landscape Painter

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‘A Principal Ornament for the Mayoralty House’: A Portrait by Joshua Reynolds

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A Rare Document of Irish History: ‘High Treason’ by Sir John Lavery

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Rita Duffy: Mid-Term Report

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An Enduring View of Irish Identity: Paul Henry and the Realism of Fiction

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The Peasant at Work: Jack B Yeats, Paul Henry and Life in the West of Ireland

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Raphael’s ‘Transfiguration’ Some Irish Grand Tour Associations

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Some Italian Pastels by Hugh Douglas Hamilton

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Maurice MacGonigal PRHA (1900-79) and His Western Paintings

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Irish Portraits in the Eton College Leaving Collection

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Aloysius O’Kelly in Brittany

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A Master Craftsman: Carey Clarke, PRHA

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Daniel Maclise and a Bankrupt Patron

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The Talented and Idle Mr. William Gandy in Ireland

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Choosing the Battleground: Robert Ballagh’s Paintings

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Markievicz and the Knights of St. Patrick

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Michael Cullen: A Painter Painting

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Art Market Report

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A Wax Bas-Relief by Patrick Cunningham

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Sir Joshua Reynolds and Richard Robinson, Archbishop of Armagh

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Word and Image

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Call down the Hawk

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Continental European Sources for George Barret

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Thomas Roberts, 1748-1778

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Henry Trench (c. 1685-1726) Painter and Illustrator

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The Gondo Tunnel on the Simplon Pass c. 1829

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Clement McAleer

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Some Early O’Malley Portraits

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Graham Knuttel

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Calendar of the Art Year

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Sean Scully

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The Light of Noon

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The Oil Painting Technique of Jack B Yeats

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Classical Watermarks

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‘The Citizen’ and ‘The Subject’: Richard Hamilton and Ireland

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An Elizabethan Portrait

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An Irish Giant

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The Work of Hughie O’Donoghue

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External Things and Images

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Portrait of Barry Douglas

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Nathaniel Hone’s Paintings of Ancient Construction

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The RHA Schools 1826-1906

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Book Review: Basil Blackshaw: Painter

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Book Review: Irish Art Masterpieces

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Book Review: Art in State Buildings, 1985-1995

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Book Review: 200 Years of Watercolours

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Book Review: Caring for Old Master Paintings

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Book Review: Irish Art 1830-1990

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Book Review: A Vision of Ireland: Jack B Yeats

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Book Review: The Different Worlds of Jack B Yeats, His Cartoons and Illustrations

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Book Review: The Watercolours of Ireland: Works on Paper in Pencil, Pastel and Paint, c.1600-1914

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Book Review: Jack B Yeats, His Watercolours, Drawings and Pastels

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Book Review: Jack B Yeats: A Catalogue of the Oil Paintings

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Book Review: Irish Paintings

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Book Review: Beranger’s Views of Ireland

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Ten Paintings in Ten Months

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le Brocquy The Family

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Whither the RHA

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John Ramage: The Wandering Portraitist

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The Shepherdess of Marlotte

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In Search Of The Elusive Landscape

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Portraits by Neil Shawcross

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John Luke: Master Craftsman

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George Sharp: Proto-realist

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A Quiet Storm: The Art of Dairine Vanston

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A Painter on Achill: Alexander Williams

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Richard Moynan: Painting Privilege and Poverty

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Warriors and Scholars

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Bewick’s Seven Ages

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The Liberator: Images of Daniel O’Connell

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Painting for Posterity

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Traces of Utopia

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Drama Abstracted

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James Barry: Artist and Thinker

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The Two Lives of John Lewis

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Cresting the Waves

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In Search of Authenticity

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The Abbey Portraits

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The Art of Exile

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An Incisive Aesthetic

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Meditations on Abstraction

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Composing the Elements

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Face to Face

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An Ideal Witness

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Tony O’Malley (1913-2003)

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Propaganda and Iconography: Images of Robert Emmet

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Epic Proportions

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Empirical Investigations

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Soundings: The Paintings of Mark Francis

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I.A.R. Gallery

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Solving a Mystery at Cashel: The Romanesque Painting in Cormac’s Chapel

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Art for the Public: William Scott and F E McWilliam at Altnagelvin

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Scenes of Ulster Life: The Paintings and Drawings of William Conor

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‘Joannes Clericus’: The Life and Work of the Revd John Rooney

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Book Review: Francis Bacon in the 1950s

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Book Review: Imagining Ireland: The Collection of Drawings and Watercolours by John Butler Yeats and Jack B Yeats

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Book Review: The Irish Face: Redefining the Irish Portrait

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Book Review: One Hundred Years of Watercolours

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Book Review: Memory and Desire: Painting in Britain and Ireland at the Turn of the Twentieth Century

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Book Review: Francis Bacon, the Papal Portraits of 1953

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Book Review: Sources in Irish Art: A Reader

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Burmese Girl Exceeds Estimate for Gerald Festus Kelly

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BETWEEN HEAVEN AND EARTH

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Urban warriors

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Unlocking John Luke

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Alicia Boyle’s sketchbooks

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About face

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Landmarks

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Life room revival

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American dream

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Art that consoles

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Reynolds’ Irish beauties

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Aloysius O’Kelly: The Scarlet Pimpernel of Irish painting

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Satirizing the nation

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Margaret Allen social commentator

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Desmond Carrick

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Kathleen Mackie – Artist Adventurer

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25 years of Irish art: a personal selection

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Patrick Collins: A Modern Celt

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Compagnons de Voyage

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Vignettes of Family Life

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Fota’s Interior Landscape

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David Clarke: Destiny and Dynasty

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A White Stag in France

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Darling Margaret: A Look at Orpen’s Favourite Pupil

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Nathaniel Hone RA: An Enamel Self-Portrait in Vandyke Dress

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Saints and scholars

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The dark edge of Europe

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Book Review: PAINTING 1600-1900 VOLUME II

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Book Review: PORTRAITS OF THE CITY: DUBLIN AND THE WIDER WORLD

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Book Review: PAINTED WITH WORDS

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Book Review: THOMAS RYAN: OIL PAINTINGS

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Book Review: GEORGE DAWSON: AN UNBIASED EYE

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Book Review: How to Read a Modern Painting – Understanding and Enjoying the Modern Masters

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Book Review: Barbara Freeman: Works on Paper 1966-2006

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CECIL FFRENCH SALKELD’S NATURAL TALENT

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HEAD OF FRANCIS BACON BY LOUIS LE BROCQUY

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CHARMING STILL-LIFE BY LILY WILLIAMS

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AUCTION PREVIEW: De Veres 30 March

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AUCTION PREVIEW: Whyte’s 14 March

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CONTINUED POPULARITY OF JACK B YEATS

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DAVID FFRENCH LE ROY’S STILL LIFES

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Group Portrait by Jeremiah Barrett at Adam’s

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Rochfort Portraits at Mealy’s Exceed Estimates

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Painting by ‘Fairy Fitzgerald’ at Whyte’s

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Success for Brian Bourke at de Vere’s

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The Joy of Colour

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Book Review: In The Lion’s Den: Daniel MacDonald, Ireland and Empire

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MORGAN O’DRISCOLL 25 APRIL 2016: Charles Henry Cook

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WHYTE’S 29 FEBRUARY: Paul Henry

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New Frontiers

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Night Watch

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Bitter Candy

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Sketches of Spain

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Out of the Shadows

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The French new wave

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One year on

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Out of Africa

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Captured or caught?

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Inner-visions

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The Edge

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Neo-Palladian

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Between heaven and earth

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No detour ahead

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Portraits of a landscape

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Diary of a painter

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From a distance

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The Marriage of Strongbow and Aoife

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Tell Me Something

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