Shifting Sands
New from the Spring 2020 edition. Tom Climent’s recent paintings appear to edge more and more away from pure abstraction, writes Mark Ewart Read More
Painting
Speaking crow
New from the Spring 2020 edition. Margo Banks is so instinctively attuned to her subject that her energetic approach and her subject matter are inseparable, writes Isabella Evangelisti Read More
Imaging Connemara
New from the Winter 2019 edition. Artist Charles Lamb’s paintings conveyed a romantic ideal of the new Ireland, writes Marie Bourke Read More
Multiplicity
New from the Autumn 2019 edition. Caoimhín Mac Giolla Léith meets painter and sculptor Marcel Vidal
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Re-imagining landscape
New from the Summer 2019 edition.
Ahead of her show at the Custom House Gallery in Westport, Brian Fallon explores the work of Ann Quinn Read More
Vibrant waves
New from the Summer 2019 edition. Chekhov, Vonnegut, Murakami and Swift inspire the work of Natalia Black and prompt her imagination, writes Margarita Cappock Read More
The birth of Modernism 1920-60
New from the Summer 2019 edition. The artists can be seen as unintentionally inscribing in their own visual language a chapter in the history of Ireland, writes Vera Ryan Read More
Theatre of discontent
New from the Winter 2018 edition. Brian McAvera wonders whether soulless consumerism is the message in Ian Cumberland’s dramatically installed artworks recently shown at Golden Thread Gallery in Belfast Read More
The weight of light
New from the Winter 2018 edition. ‘I’m trying to make the invisible visible’ Pat Harris tells Brian McAvera on the eve of his exhibition at the Taylor Galleries, Dublin Read More