Genius loci
New from the Spring 2018 edition. Is there a School of Limerick? Niamh NicGhabhann considers the question on the eve of Charles Harper’s retrospective at the RHA Read More
Painting
The inaccessible land
New from the Spring 2018 edition. Riann Coulter explores Mark Shields’ guiding philosophy on making art, as a new departure in his practice is unveiled at the FE McWilliam Gallery Read More
Inside & out
From the IAR Archive Relocating to France brought a change in focus for Eithne Jordan, who tells Brian McAvera, ‘I had begun to feel that I was painting myself into an alley’ ahead of her exhibition at Dublin City Gallery, The Hugh Lane Read More
Shadowlands
New from the current edition. ‘All around the globe, conflicts have and continue to shape the land and their inhabitants’; Elizabeth Magill explores the flipside of the buccolic in conversation with Brian McAvera Read More
Spellbound
New from the Autumn 2017 edition. The magic realism of Sweeney’s transformation from man to bird continues Gabhann Dunne’s association with the natural world, writes Susan Campbell Read More
Out of Africa
Eddie Rafferty collects people and their stories. His prints, drawings, paintings and collages depict the people and places that he has encountered at home and abroad. Read More
One year on
Julia Dubsky graduated in the top tier of her class at the National Collge of Art and Design (NCAD) Dublin in June 2016. She was awarded a Commended First in Fine Art and Visual Culture. Read More
Bitter candy
From the Summer 2017 edition: Non-naturalistic candy colours imbue Shane Berkery’s new collection of paintings on view at Chimera Galley, Mullingar with a surreal edge, writes Susan Campbell Read More
The young bohemians
Brian Fallon recalls the artist and writer Patrick Swift, who lingered in the memories of Dublin’s literati as a potent presence long after his departure for the Continent. Read more Read More
The French new wave
From the Summer 2016 edition: Gerry Walker welcomes an alternative to the conventions of gallery management in the work of Olivier Cornet.
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