Blighted culture
New from the Winter 2022 edition. Seán Kissane explores the work of Kevin Mooney, in which complex webs of history and cultural references abound Read More
Painting
Country girl
New from the Autumn 2022 edition. Mary Stratton Ryan outlines the life and work of artist Phoebe Donovan ahead of an exhibition of her works during the Wexford Arts Festival
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Prince of tides
New from the Autumn 2022 edition. John P O’Sullivan investigates painterly values and pitfalls with Donald Teskey, ahead of his mid-career survey at the RHA Read More
Belfast views
New from the Summer 2022 edition. Colin Davidson’s images are particularly evocative when they depict the familiar features of Belfast, writes Riann Coulter Read More
This dream and you
New from the Summer 2022 edition. Donal Maguire reflects on Aches’ award-winning portrait, painted in the artist’s distinctive graffiti style, which references subtractive colour-mixing theory Read More
Silent space
New from the Spring 2022 edition. Dublin artist Francis Matthews manages to give the impression of reality without becoming enmeshed in itemising endless physical detail, writes Aidan Dunne Read More
Scattered fractions
New from the Spring 2022 edition. Artist Frances Kelly didn’t aim for exact likenesses in her portraits of people or flowers, but rather for some inner, more abstract, significance, writes Hilary Pyle Read More
Emblems of nationhood
New from the Spring 2022 edition. John P O’Sullivan previews Hughie O’Donoghue’s latest suite of paintings of diverse historic characters spanning 1,500 years of history Read More